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The critique of modernist ideology from France’s leading radical theorist
In this book Jacques Rancière radicalises his critique of modernism and its postmodern appendix. He contrasts their unilinear and exclusive time with the interweaving of temporalities at play in modern processes of emancipation and artistic revolutions, showing how this plurality itself refers to the double dimension of time. Time is more than a line drawn from the past to the future. It is a form of life, marked by the ancient hierarchy between those who have time and those who do not. This hierarchy, continued in the Marxist notion of the vanguard and nakedly exhibited in Clement Greenberg’s modernism, still governs a present which clings to the fable of historical necessity and its experts. In opposition to this, Rancière shows how the break with the hierarchical conception of time, formulated by Emerson in his vision of the new poet, implies a completely different idea of the modern. He sees the fulfilment of this in the two arts of movement, cinema and dance, which at the beginning of the twentieth century abolished the opposition between free and mechanical people, at the price of exposing the rift between the revolution of artists and that of strategists.
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A spectacular new biography of the great designer, entrepreneur, abolitionist and beacon of the Industrial Revolution, from acclaimed historian and Director of the Victoria and Albert Museum, Tristram Hunt
Josiah Wedgwood, perhaps the greatest English potter who ever lived, epitomized the best of his age. From his kilns and workshops in Stoke-on-Trent, he revolutionized the production of ceramics in Georgian Britain by marrying technology with design, manufacturing efficiency and retail flair. He transformed the luxury markets not only of London, Liverpool, Bath and Dublin but of America and the world, and helping to usher in a mass consumer society. Tristram Hunt calls him ‘the Steve Jobs of the eighteenth century’.
But Wedgwood was radical in his mind and politics as well as in his designs. He campaigned for free trade and religious toleration, read pioneering papers to the Royal Society and was a member of the celebrated Lunar Society of Birmingham. Most significantly, he created the ceramic ‘Emancipation Badge’, depicting a slave in chains and inscribed ‘Am I Not a Man and a Brother?’ that became the symbol of the abolitionist movement.
Tristram Hunt’s hugely enjoyable new biography, strongly based on Wedgwood’s notebooks, letters and the words of his contemporaries, brilliantly captures the energy and originality of Wedgwood and his extraordinary contribution to the transformation of eighteenth-century Britain.
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One woman’s revelatory journey on foot exploring Kabul’s war-torn past and scarred present
‘A fabulous piece of writing . . . I recommend it unreservedly’ WILLIAM DALRYMPLE
‘A brilliant book’ CHRISTINA LAMB, author of Farewell Kabul
One of the first things I was told when I arrived in Kabul was never to walk…
When journalist Taran Khan arrives in Kabul, she uncovers a place that defies her expectations. Her wanderings with other Kabulis reveal a fragile city in a state of flux- stricken by near-constant war, but flickering with the promise of peace; governed by age-old codes but experimenting with new modes of living.
Her walks take her to the unvisited tombs of the dead, and to the land of the living – like the booksellers, archaeologists, film-makers and entrepreneurs who are remaking this 3,000-year-old city. And as NATO troops begin to withdraw from the country, Khan watches the cycle of transformation begin again.
**Winner of the Stanford Dolman Travel Book of the Year Award 2021**
**Winner of the Tata Literature Live First Book Award for Non-Fiction 2020**
‘Powerfully evocative’ Kapka Kassabova
‘A wonderful journey’ Atiq Rahimi
‘Khan illuminates Kabul’s life-affirming humanity’ TLS
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A guide to developing the art of finding serenity, not through meditation, but through understanding the sources of our anxiety and frustrations.
Few life skills are as neglected, yet as important, as the ability to remain calm. Our very worst decisions and interactions are almost invariably the result of a loss of calm – and a descent into anxiety and agitation. Surprisingly, but very fortunately, our power to remain calm can be rehearsed and improved. We don’t have to stay where we are now: our responses to everyday challenges can dramatically alter. We can educate ourselves in the art of keeping calm not through slow breathing or special teas but through thinking. This is a book that patiently unpacks the causes of our greatest stresses and gives us a succession of highly persuasive, beautiful and sometimes dryly comic arguments with which to defend ourselves against panic and fury.
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