Beyond Good and Evil

The companion book to Beyond Good and Evil, the three essays included here offer vital insights into Nietzsche’s theories of morality and human psychology.

Nietzsche claimed that the purpose of The Genealogy of Morals was to call attention to his previous writings. But in fact the book does much more than that, elucidating and expanding on the cryptic aphorisms of Beyond Good and Evil and signalling a return to the essay form. In these three essays, Nietzsche considers the development of ideas of ‘good’ and ‘evil’; explores notions of guilt and bad consience; and discusses ascetic ideals and the purpose of the philosopher. Together, they form a coherent and complex discussion of morality in a work that is more accessible than some of Nietzsche’s previous writings.

Friedrich Nietzsche was born near Leipzig in 1844. When he was only twenty-four he was appointed to the chair of classical philology at Basel University. From 1880, however, he divorced himself from everyday life and lived mainly abroad. Works published in the 1880s include The Gay Science, Thus Spoke Zarathustra, Beyond Good and Evil, On the Genealogy of Morals, Twilight of the Idols and The Antichrist. In January 1889, Nietzsche collapsed on a street in Turin and was subsequently institutionalized, spending the rest of his life in a condition of mental and physical paralysis. Works published after his death in 1900 include Will to Power, based on his notebooks, and Ecce Homo, his autobiography.

Michael A. Scarpitti is an independent scholar of philosophy whose principal interests include English and German thought of the eighteenth and nineteenth centuries, as well as exegesis and translation theory.

Robert C. Holub is currently Ohio Eminent Scholar and Professor of German at the Ohio State University. Among his published works are monographs on Heinrich Heine, German realism, Friedrich Nietzsche, literary and aesthetic theory, and Jürgen Habermas.

Human, all too human by Friedrich Nietzsche

In late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome – Schopenhauer, Wagner, Socrates, Christ – and predicts the cataclysmic impact of his ‘forthcoming revelation of all values’. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche’s main beliefs and is in every way his last testament.